Consider in HBO’s Succession . Kendall’s romantic storylines—from his strained marriage to Rava to his disastrous entanglement with the ambitious actress-comfort woman—are not about love. They are reenactments of his relationship with Logan. Every attempt at intimacy is sabotaged by a desperate need for paternal approval. His affair with a hired woman in Season 3 isn’t a romance; it’s a performance of dominance he learned from his father, executed with all the tragic incompetence of a son who never received the master recording. The "record relationship" here is between Kendall and power (via Logan); all romantic subplots are merely scratched remixes.
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: In Lawrence's Sons and Lovers , the title reflects a psychological record of a mother's intense, almost lover-like attachment to her sons. This bond, fueled by Gertrude Morel’s unhappy marriage, creates a "record" of emotional baggage that hinders her son Paul’s ability to form healthy outside romances. Consider in HBO’s Succession