Nominated for 7 French César Awards and selected for the Official Competition at the Cannes Film Festival. Plot Overview The film follows the final days of L'Apollonide

The film’s brilliance lies in its structure. There is no traditional narrative arc—no grand escape plan, no heroic savior. Instead, Bonello presents a series of "tableaux," snapshots of life in limbo. We meet the "Madam" (Noémie Lvovsky) and her stable of women, each defined by a specific archetype or aesthetic, yet all sharing the same terrifying fate: they are commodities in a living museum.