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The 1970s and 80s saw the arrival of the 'middle-stream' cinema—a movement distinct from both commercial masala and esoteric art-house. Directors like K.G. George ( Elippathayam – The Rat Trap , 1981), John Abraham ( Amma Ariyan – Report to Mother , 1986), and Padmarajan ( Thoovanathumbikal – Dragonflies in the Monsoon , 1987) created a cinema of psychological realism. They explored the crumbling feudal order, the alienation of the modern man, and the complex interiority of women—long before it was fashionable in mainstream Indian cinema.

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(2019) have been praised for deconstructing "toxic masculinity" and the idealized "hero" template, offering instead nuanced portrayals of family dynamics and emotional vulnerability. Social Hypocrisy: The 1970s and 80s saw the arrival of