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In Vanaprastham , Mohanlal delivers a career-defining performance as a Kathakali artist of lower caste who is denied the right to play divine roles. The film uses the mudras (hand gestures) and rasas (emotions) of Kathakali to tell a story of paternal longing and social humiliation. In Kummatti (The Mask), Theyyam is used to explore religious hypocrisy.