The success of Everything Everywhere All at Once (Oscar for Best Picture, led by a 60-year-old Asian woman) proved to studios what audiences already knew: we are exhausted by the ingénue. We want the lines on the face that tell a story. We want the voice that is gravelly from experience. We want the body that has borne children, fought cancer, run marathons, or simply survived.
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The success of Everything Everywhere All at Once (Oscar for Best Picture, led by a 60-year-old Asian woman) proved to studios what audiences already knew: we are exhausted by the ingénue. We want the lines on the face that tell a story. We want the voice that is gravelly from experience. We want the body that has borne children, fought cancer, run marathons, or simply survived.