The prestige crime drama used to belong to the gruff, lonely man. Now, it belongs to the exhausted woman. Kate Winslet’s Mare of Easttown (frumpy, angry, brilliant) and Frances McDormand’s Nomadland (not a detective, but a seeker) showed that the most compelling mystery is how a woman survives grief.
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: By changing the narratives around aging and women's roles in society, the entertainment industry can play a crucial part in promoting a more positive and realistic portrayal of mature women. The prestige crime drama used to belong to