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In the summer of 1998, if you asked ten random people on the street what the most anticipated event of the year was, four might say the new Seinfeld finale, three might say the new Titanic VHS release, and the rest might shrug. Culture was a monoculture. The “watercooler moment” was a tangible, shared experience.

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This essay explores how entertainment and popular media serve as both a reflection of and a catalyst for societal change. In the summer of 1998, if you asked

Many critics argue that popular media is becoming formulaic, as studios rely on algorithms and established franchises rather than taking creative risks on original IPs. In the summer of 1998