Try the Most Functional Browser
Download
The film is known for its blend of comedy, romance, horror, and action, setting a template for the sequels.
In the pantheon of world cinema, few film series manage to blend horror, romance, martial arts, and slapstick comedy into a cohesive, beautiful dream. Yet, between 1987 and 1991, the Hong Kong film industry—then at its creative and commercial zenith—produced exactly that. Directed by the legendary Ching Siu-tung and produced by Tsui Hark, the A Chinese Ghost Story trilogy ( Sinnui yauman in Cantonese) remains a benchmark of supernatural wuxia. A chinese ghost story I II III -1987-1990-1991-...
The stakes escalate wildly. The villain is no longer just a tree demon, but a who has possessed the Prime Minister and is turning the kingdom into a dystopian nightmare. This sequel introduces one of the great characters of the era: Wind, Sword, and Snow (Michelle Reis) and the monk’s chant "Bor Bei Bor Bei" (般若波羅蜜)—a pop-culture earworm. The film is known for its blend of
Revolutionary practical effects, including stop-motion zombies and giant puppet tongues. Directed by the legendary Ching Siu-tung and produced
There, he meets Nie Xiaoqian—a ghost tasked with seducing and draining the life force of mortal men. However, Choi-san’s sincerity, poetry, and awkward purity disarm her. Instead of killing him, she falls in love. When the Tree Demon arrives to claim them, the duo is rescued by the drunken but invincible Taoist swordsman, Yin Chek-ha.