This directs the eye to the environment: the towering trees of the Wragby estate, the rain, the mud, and the flowers. The film posits that Constance Chatterley’s awakening is not just sexual, but environmental. Trapped in a marriage with an upper-class man (Sir Clifford) rendered impotent and bitter by war, Constance (played with reserved intensity by Marina Hands) is slowly suffocating by the stale air of the aristocracy.
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