One of the strongest elements of is its sonic cohesion without monotony. The executive producer, Mira "Midas" Chen, has crafted a soundscape that feels simultaneously nostalgic and futuristic. You can hear echoes of Kanye West’s 808s & Heartbreak in the Auto-Tune reverb, Kid Cudi’s Man on the Moon in the atmospheric textures, and a uniquely African rhythmic sensibility (a nod to Da Gifto’s Nigerian heritage) in the percussion.
The title is the thesis: Grateful . In the often-cynical world of dance music, Da Gifto flips the script. Where many EPs chase trends or club functionality, Vol. 2 chases a feeling—specifically, the feeling of looking back at hardship with thankful eyes. Da Gifto - Grateful EP Vol. 2
Switching gears, this cut leans into raw, UK garage-influenced shuffles. The drums are crisp, and the sub-bass is dangerous on a good system. But Da Gifto’s signature touch remains: a filtered vocal sample saying “thank you” in three different languages. It turns a club banger into a moment of reflection. One of the strongest elements of is its
Before diving into the specifics of Vol. 2, it is essential to understand the ethos behind the title. Da Gifto (born Gift O. Okonkwo) has never shied away from his past. The first Grateful EP was a raw diary entry—an expression of relief after escaping financial hardship and personal loss. It resonated deeply with fans who saw their own battles reflected in his bars. The title is the thesis: Grateful
9/10 Must-hear track: "Scars Like Gold" For fans of: &ME, Black Coffee, Jan Blomqvist, Fred again..
The finale brings back the energy but filters it through a lens of release. A driving tech-house kick propels the track, but the melodic content is pure euphoria. A plucked harp melody (surprisingly, a real harp sampled by Da Gifto during a studio session in Prague) dances over a rolling baseline.