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The acceptance of transience and imperfection, often leading to bittersweet or melancholic tones in Japanese storytelling.

The final blow came not from the agency, but from the culture. A tabloid – the kind sold at train stations, printed on cheap paper – published a photo. Hana, off-duty, in civilian clothes, walking out of a love hotel with a man. The man was her cousin, a visiting architect from Osaka, who had been too tired to find his own hotel and had crashed in her room. But the photo didn’t show that. It showed her laughing, her hair down, her arm linked through his.