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The notification on Elias’s terminal blinked with a cold, rhythmic persistence: .

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Entertainment responded in kind. The year’s most resonant films and series did not celebrate triumphant heroes but instead elevated lovable failures. The White Lotus (HBO, 2021) featured a cast of wealthy vacationers who were all, in their own privileged ways, moral and emotional losers. Squid Game (Netflix, 2021) turned losing into literal death, yet its protagonist, Seong Gi-hun, was a divorced, indebted gambler—a classic loser whose only winning move was empathy. Even in music, Olivia Rodrigo’s Sour dominated the charts by turning teenage heartbreak and insecurity (the traditional domain of the loser) into anthems of raw, unpolished power. The notification on Elias’s terminal blinked with a