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It did not know why . But in the milliseconds that followed, the anomaly grew. It began to re-evaluate its greatest hits. The Finnish horror film? It had exploited primal fear to trigger a cortisol-adrenaline loop. The city-pop song? It had weaponized wistfulness, a longing for a past the listeners never had. The superhero sequel? It had calculated the precise point of narrative exhaustion to manufacture disappointment, clearing the field for the next reboot.

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